The Cinematic version is entirely different, and allows you to conjure up a wide range of unusual tones, from the conventionally playable to a weird and wonderful world of scrapes, buzzes and odd overtones. However, our preference was for the darker side of The Giant's Jekyll & Hyde personality. Despite this, in comparison to something like Cinesamples' Piano In Blue, it feels a lot less 'immediate' in playability terms. Luckily, there's a lot of flexibility when it comes to customising the sound, with control over many areas of responsiveness, tonality and ambience. The more polite, Normal piano is rather too strident for this reviewer's tastes, unless Tone is pushed way down. The Giant is really two rather different beasts sown together. "The Giant is really two rather different beasts sown together" ![]() Both instrument versions have a basic, but fine-sounding IR-based ambience/reverb section. This version does incur a higher CPU load, but that's something I'm happy to live with given the quality of the result.
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